Sound
We don’t record music. Our audio specialty is recording audio for radio, television, film, multimedia and the Internet. On the leading edge of technology, we were among the first ProTools equipped studios in the world back in 1990. Now, generations later, that platform is still the standard of the recording and post production industry. Our typical recording sessions include voiceovers, commercials, narrations, podcasts, audio books and ADR for film.
Our Tampa Bay production facility has two voiceover booths and a central Foley stage studio serving all three of our edit suites. Out-of-town clients typically do phone patch sessions. Talent is monitored and directed remotely while we record here. We’ve originated sessions for numerous national advertising agencies as well as Disney, Universal Studios, Sony Motion Pictures, Warner Brothers, The BBC, National Geographic, Discovery, A&E, Nickelodeon, Turner and Fox.
In addition to audio support for our video productions, we also do location and conference recording for clients nationwide.
Audio Post
Audio post-production is the process of creating the final soundtrack for a film or video. 
Poor audio can ruin great video and we pay special attention to the mix of your project. We began 22 years ago as an audio facility, so we have always paid particular attention to this crucial element of every production by sweetening and optimizing the track as part of our workflow. We record narrations, customize music tracks, do dialogue replacement, add ambient and Foley sound effects, equalization, noise reduction and final mixing.
ADR
Even under the best conditions, sometimes the dialogue recorded for a film or TV spot isn't quite right. Levels may be bad, noise on the set covers a line, actors talk over each other, or the director wants different emphasis on the read. Whatever the reason, the solution is ADR - Automated Dialogue Replacement. This film sound technique is the re-recording of dialogue after photography. 
Our ProTools based ADR provides frame accurate synchronization during recording, multiple take storage and naming, and then the flexibility to slide the audio for a precise match. Final touches include equalization to match the original production sound as well as ambience and sound design to complement the scene and action.
John Travolta, "Macho Man" Randy Savage, Jenna Elfman, and Demi Lovato are among the many actors we've worked with on Tampa film productions.
Sound Design
Sound design takes the audio post process to a more creative level. Where the former is done to make a project technically and aesthetically correct, in sound design we are given the creative freedom to invent what a scene might sound like. The ProTools systems we use give us all the tools we need to make the sound we capture fit a scene exactly as we imagine it, from bending and blending sound effects to perfecting the dialogue and music tracks.
Conversions
The audio on legacy formats like records and tapes is far from permanent. Heat, humidity and chemical reactions are all working to make priceless memories fade away.
We can convert about every format of audio to CD. (Sorry, we don't have a wire-recorder or an 8 track deck.) We save those personal recordings that can't be replaced. Among the valuable archives we've been entrusted to covert to CD include the personal record collection of President Kennedy for the Florida International Museum, Vietnam era letter tapes for the Smithsonian, cassettes, personal 78rpm records, garage band recordings from the 60s and 70s, and reel to reel tapes from as far back as 1949.
It's always interesting work that takes expertise and digital processing to make voices from the past heard again.